I am Bhuwal Prasad Delhi based artist. I do sculpture painting installation, mix media Before using the form, I see it in a way that it looks molten or folded. Whatever form or graphing I use, it looks molten. While writing a letter or notes, some of us make slight mistakes, and these slight mistakes make us throw or tear that paper apart, and I am really inspired by the form “crushing.” It has its own distinct beauty. Just for example, if we talk about the public place, then we can always find crushed packets of chips & snacks, papers, cans, water bottles, etc. For me, such things are as very simple and beautiful as they appear to be affected within me. And the shape shows different effects to me. The concept of the show that is creating a form of art by crushing material is being shown in my work. I think that in a layman's eyes it's worth nothing, but for me the crushed materials are more than anything. I see the art, and so does my work. So, I decided to use the things that were crushed, and I installed them in this visitation, and as a result, a new thing emerged. And it appears as impressive, which an impressive artwork is. As an artistic experience, recently I worked on the concept of recycling. Through this, I used the materials that belong as a part of the natural things. Through this, I used to work with the material and the medium as acrylic, canvas, paper, Deco paints, corrugated cardboard sheets, doormats, aluminum sheets, iron sheets, iron rod, fiber. I used these materials in all kinds of artwork, like painting, sculpture, installation, etc. I also tried to visualize the allegory of modern industrial progress. Instead of depicting factories and their products, the artist makes a map of what remained in human memory from all impressions of busy urban life and technical devices. In my understanding, the nature of the painting is not just to make art but also to create the method that helps to understand it. The recycling process that comes to mind is also a part of nature. So, my works are expressionistic in nature. Bold strokes flow in automatic rhythms, capturing the mood and passion of the artist, and innumerable minute strokes and daubing are created as a part of the central image as well as that of the background. Seen from close quarters, the paintings look completely abstract; they seem to be all about colors and the rhythms created by those colors.